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breakTHROUGHArts
a free newsletter for visual artists
May 2003 Contents
I.
Feature Article: Stages of Change
II. Friends in Print:
When you feel like reading
III. Energy Management:
Translations from the Psych
Research Lab, the Board Room and the Shrink’s Couch
IV.
Creative Links: Sites for visual artists
V. Newsletter Info: Sharing this
newsletter, subscribing, and unsubscribing
I. Feature Article:
Stages of Change
Visual
artists differ in their styles of handling change. Some are attracted to
the word
breakTHROUGH
and would like to make changes rapidly. Others
are quite clear that their style is to have a clear idea of where they're
going and a plan to get there step by step.
There is a model* of how people make changes regardless of
these outer styles; it proposes that we all go through six stages as we take
on making a change in our life. I offer them here as a way for you to
consider where you are with changes you may be contemplating or avoiding in
the ways you make art. Even those who like to go step by step can also see
that change, like many creative processes, rarely proceeds in a straight
line.
 |
Precontemplation. Person has never
considered change. |
 |
Contemplation. Person is considering
change, but not yet committed. |
 |
Preparation. Person desires change
and is committed. |
 |
Action. Person is attempting change,
and needs structure, support, skills. |
 |
Maintenance. Person has made
changes, but they still feel new. |
 |
Change Completed. Person is becoming
used to changes as "normal", adjusting to shift in their identity. |
Notice that last part about identity change.
Imagine you have always considered yourself an abstract artist. You may
never have learned basic drawing and here you are responding to pressure to
join in a challenge project that a recognizable, representational motif.
If you go through the six stages and actually create representational work,
it can shift your self-image considerably. Artists who have made that kind
of change often describe it with surprise in their voices. This shifts and
enlarges our identity, and the pleased surprise…"but I thought I couldn’t do
that…" marks the new energy it brings.
*Prochaska, Jame O., Norcross, John, & DiClemente,
Carlo. Changing for Good. 1995.
(Return to Top)
II.
Friends in Print:
When you feel like reading
Opening Up: The Healing Power of Expressing Emotions .
James W. Pennebaker. Guildford Publications, 1997.You’ve heard over and over
how "journaling" can support your creativity. Well, Pennebaker has been
studying the helpfulness of writing for years. This is not a cookbook but
includes good guidelines, such as "Explore both the objective reality of
events and your emotional responses."
Unintentional Music: Releasing Your Deepest Creativity.
Lane Arye. Hampton Roads, 2001. For those of you who learn more about your
visual creativity by the inspiration of other art forms….pottery, poetry,
ice dancing, etc., this slim volume provides an introduction to welcoming
the unexpected in sound.
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III. Energy Management:
Translations from the Psych Research Lab, the Board Room and the Shrink’s
Couch
What’s a Good Stress?
Have you ever questioned all those media reports on how bad stress is for
you? Have you ever found that deadlines actually unlock your creativity?
There is another side to all the bad reports on stress which is
especially important for creative folks.
The other side of "stress" that transforms it into excitement is the
meaning of what you’re doing. If you are making work that has a
meaningful place in your life, much of the stress of the ups and
downs of the work gets evened out.
When meaning seems to be slipping away, it is sometimes helpful to think of
three components that build meaning: commitment, challenge, and a
sense of control. These three C’s, can be useful, especially if one
of them is not very strong during a particular phase, you can often build up
the meaning by increasing one or both of the others.
Sometimes we overreach ourselves and find ourselves beyond challenge and
totally at sea, with no sense of control. Then it helps to reaffirm
commitment to process itself. When commitment is down, look at what you can
do to re-establish a sense of control. If it’s sorting your paints, so be
it; at times, untangling my stored and dangling threads is just the break I
need. In the same way, if your creative juice seems thin and stagnant,
ratcheting up your challenge by a level or two may be just what is needed.
As you think about the type and amount of energy you have in your
creative work, experiment with checking out these three aspects of how art
adds meaning to your life: commitment, challenge, and a sense of
control.
(Of the many people whose work on
stress contributes to my thinking, I’d like to especially acknowledge
Berlyne, Salvadore Maddi, and Suzanne Ouellette.)
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IV.
Creative Links
If you like gadgets and
new toys to use with your visual thinking skills to solve problems,
www.innovationtools.com has a nice collection
of items to spark new combinations of ideas, including
- a free Idea Generation List (note: no longer available as of
January '06)
- Creative Whack Pack - thinking outside the box
- Magnotes - erasable magnetic post-its
www.galleryguide.org
is a nice place to go for the inspiration of looking at others’ work
across the country. It’s an online version of the printed monthly regional
guides you may have seen in the larger cities.
(Return to Top)
V. Newsletter Info
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This material is
included in the website breakTHROUGH Creativity Coaching
(www.dianereardon.com). All material is
copyrighted ©, May 1, 2003, Diane Reardon. All rights reserved. |