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breakTHROUGHArts
a free newsletter for visual artists

Thanks to all who have passed breakTHROUGHArts on to other artists! To share this newsletter with friends who want more creativity in their lives, use your e-mail Forward button. To subscribe or schedule your complimentary coaching hour click: connect@dianreardon.com.

July 2008 Contents
I.  Subscribing to Your Passions
II. Energy Management: Translations from the Psych Research Lab, the Board Room, and the Shrink’s Couch
III. Friends in Print: When you feel like reading
IV. Creative Links
V. Newsletter and Info: Share this newsletter, subscribe, or unsubscribe

I. Subscribing to Your Passions
The other day I heard about a friend’s mother of 90-plus years who still gardens on acreage and runs a household. Even more inspirational for me was learning that her favorite weekend recreation was driving around to real estate open houses. I liked that she kept up with this faux house-hunting as one of her abiding pleasures. Then, even better, he let it drop that she’d been a lifelong subscriber to Architectural Digest. Ah, a woman after my own heart!

In the corners of their lives, people often have long-standing subscriptions to special interest magazines.

Do you know what magazines your friends are a bit bonkers about? How about you? I know several 1960’s boomers who’ve never taken a break from Mother Earth News, regardless of the kind of condo it gets delivered to. Maybe your purchases only erupt at the supermarket checkout or as special airport treats before a long flight. These occasional newsstand buys may be a flirtatious gesture or a visit to an old flame.

Let’s have some True Confessions here. (Anyone still reading that?*). Consider not only which magazines you’ve subscribed to ‘religiously’ for years, but those you’ve now let lapse. Which do you pick up and flip through at a newsstand but reluctantly put back as the voice of logic talks you out of buying it? Have you boxed up some that come with you every time you move but never get looked at? What’s the symbolic link with these ‘archives’?

Notice especially the magazines you love that do not connect to your daily life. Perhaps you are like the accountant who knows exactly when the Smithsonian will hit her mailbox and plans her evening around it. My true confession is that I am a lifelong subscriber to Fiberarts; I kept subscribing even when the only textile work I did was the laundry and could in no way justify the expense. For me it was a promissory note to myself, one that is now paying off. What role have magazines played in your life?
*True Confessions. Published since 1922, originally at 25 cents, now a dollar twenty-five. Current issue seems to feature drama with various combinations of both violence and God.
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II. Energy Management: Translations from the Psych Research Lab, the Board Room and the Shrink’s Couch
Herring, Laraine. Writing Begins with the Breath. Embodying Your Authentic Voice. 2007.
Magazines in general do a good job of activating several parts of our brains – the verbal and the visual. They often also model what you’d do with a coach – develop a clear vision of a goal and lay out action steps to get that goal (“Get Fit By Summer: Our Beach-Body Workout Gets Results in 4 Weeks” Recent issue of Men’s Fitness).

“Think of your work, no matter what genre, as a dialogue first with yourself. You don’t come out with these dialogues and publish them as is, straight from in there. That’s for your eyes only. But you can take the belly of what you bring back, craft it, and put it out in the world. The reader will recognize that you’ve been on the journey, even if she can’t identify what the journey is. The reader will know that you risked it all, and she will stick with the story.” Herring, Laraine. Writing Begins with the Breath. P. 17.

I’m introducing you to Laraine Herring’s approach to writing because she includes attention to both text and image, anchors creative work in the body’s breath and movement, and most importantly, has a solid vision of helping writers create from progressively deeper sources within.

It is to her credit that for most of the book I could replace “write” with “make a picture” and use her advice well. For example, her exercises moving back and forth between journaling with words and specific images helped me fairly rapidly move a planned piece forward in unexpected, and yes, deeper, ways. Of course, some of her references are particular to writing (e.g. creating dialog); however, when I translated her particular points about point of view in storytelling into point of view for the images I make, some new ideas popped right up. What she has to say about learning the tools of your craft is applicable to any medium.

“But the risk of writing is an internal risk. You brave the depths of your own being and then, oh my, bring it back up for commentary by the world. Not the work of wimps.” Herring, Laraine. Writing Begins with the Breath. P. 16.

Her writing style and metaphors are so rich in themselves, it is hard to summarize what she has to offer visual artists; picking out either the concepts or practical hints would leave us with dry lists. I can say that, if creating is a central part of your life, translating her guidance for writers into guidance for visual artists will be worth your while.
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III. Friends in Print: When you feel like reading
Writer’s Market and International Directory of Little Magazines and Small Presses. Annual.
One reason some magazines are compelling is that they connect us to those who love what we love. Since we don’t always live with tribes who share our passions, the right magazine can provide that missing sense of community. I leave it to us all to speculate on how the internet will continue to forge similar connections and possibly supplant such magazines. Until then you might want to take a look at these two sources. They are mainly used by writers to guide their submission decisions but offer a goldmine of connecting offline to tribes whose existence you may not have suspected.
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IV. Creative Links
www.linkism.com/artist_resources/art-news.htm  and www.zeroland.co.nz/art_ezines.html
To broaden your view of the new art e-zine kids on the block, try either of these sites, realizing that fanzines and e-mail newsletters are included and all may be thin veneers for marketing products. I advise skipping the many e-zine directories which are hatching like summer swarms, and tend not to separate out art, let alone the making of art. As those of your who already receive this specialized newsletter know, it is also efficient to do a web search on the words for any passion you have and follow the clicks to other folks, their newsletters and, now, their blogs.
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V. E-mail changes. To change your e-mail address, subscribe, or unsubscribe please e-mail connect@dianereardon.com. If you use a spam filter, please add this e-mail address to your list of approved senders. This material is included on the breakTHROUGH Creativity Coaching (website www.dianereardon.com) All material is copyrighted ©, 30 June 2008, Diane Reardon. All rights reserved. Visit the website for back issues and details on scheduling a complimentary one-hour coaching session.
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