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breakTHROUGHArts
a free newsletter for visual artists

Thanks to all who have passed breakTHROUGHArts on to other artists! To share this newsletter with friends who want more creativity in their lives, use your e-mail Forward button. To subscribe or schedule your complimentary coaching hour click: connect@dianreardon.com.

July 2007 Contents
I.   Hank Williams to Michelangelo
II. Energy Management: Translations from the Psych Research Lab, the Board Room, and the Shrink’s Couch
III. Friends in Print: When you feel like reading
IV. Creative Links
V. Newsletter and Info: Share this newsletter, subscribe, or unsubscribe

I. Hank Williams to Michelangelo
”Your cheating heart, will make you weep.” Hank Williams’ lyrics reminded me of the image of falling in love with our creative work quoted in last month’s newsletter*. I do fall in love with making art but do I also cheat on it?

My big vision of where I’m going with my art is pretty strong and it is like being in love to hook into the passion of that. In a good week, my relationship with the colors and textures of fabrics is an exciting one. But I’ve made some choices in the last few weeks that suggest a slide into some cheating, and also using the same paper–thin excuses that cover up the truth of a secret affair.

So here’s the truth. I’m going to Italy. You’re getting this newsletter early because I’m leaving before July 1st for a vacation there. And bit by bit, I’ve been sneaking off from normal studio time reading guide books, sitting on hold to get the latest number of ounces of gel one can take on a plane (for your hair or your shoes), and juggling the logistics of one carryon bag. This kind of preparation is normal for me, but what feels like cheating is that in my head, I’ve continued to say that it’s studio time when I’m actually in the drug store looking for 3 ounce bottles of various potions.

I guess I’m having a fling. It includes my reading about Michelangelo and the passion and commitment it took him to create Adam and Eve on the ceiling of the Sistine Chapel. Once I admit this, I can see that my vacation has already started.

How often does this happen for artists? How interesting does the new attraction have to be to seduce us from making art to dallying in short-lived flings? When we look honestly, how ready are we to invite flirtations that tempt us away from creating?

Italy. . . well now, that’s a pretty big temptation. In my case Hank Williams was right: “Your cheating heart will tell on you.”

Mine just did.
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II. Energy Management: Translations from the Psych Research Lab, the Board Room and the Shrink’s Couch
Quinn, Robert. Building the Bridge as You Walk On It. 2004.
Quinn synthesizes the best that is known about how people change successfully and also resist change. His work with corporate leaders to create new experiences translates directly for visual artists who create anew on a regular basis.

“Here is a surprising point: recognizing our hypocrisy is a source of power. When we become willing to monitor our hypocrisy, we discover that intense personal shame drives us to close our integrity gaps. Accepting the truth about our hypocrisy helps us to transform ourselves and others” Quinn, p. 24, 2007. Building the Bridge as You Walk On It.

The premise, bold for the corporate world, is that for change agents to be effective they must themselves change and change so that their behaviors more closely match their values. He retells the stories of many people who realized how what they say they value doesn’t match what they’re actually doing. In facing their inherent hypocrisies, they begin to come out of their comfort zone in a multitude of ways. His map of how to help people successfully change includes territories most artists already know: going into the unknown, risking career security, grounding a vision, taking reflective action, putting the good of the work ahead of your personal ego (and personal discomfort, Michelangelo reminds us, lying on his back up there on the scaffold).

Quinn’s ideas are radical and, when implemented, pretty much guaranteed to improve your courage for change. If such technical reading is not for you, his earlier book (see below), although still a bit heavy on the research, is meant for ordinary people ready for radical transformative change.
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We all want to experience ourselves as a creative force. That’s when we are the most influential and happy. The problem is that the normalized world will always entice or threaten us into mindless choices.” Quinn, p. 65, 2000. Change the World.

 III. Friends in Print and Image: When you feel like reading or a movie
Quinn, Robert. Change the World: How Ordinary People Can Accomplish Extraordinary Results. 2000.
Quotes from Christ, Ghandi, and Martin Luther King highlight how powerful change agents influence people deeply. He does not sugar coat the courage it takes to follow in their paths, but presents many stories of ordinary folks who, by being willing to risk negative feedback from the world, have also changed the world.

Shadows in the Sun. 2005 Movie. The struggles of two writers, one famous but now blocked, the other a beginner, takes us on a twisting walk on how each finds his way to face creative doubts and fears. The fact that the scenery is a panorama of Tuscan loveliness is only an added Italian benefit.
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IV. Creative Links
www.deepchange.com  It’s worth visiting Quinn’s site to explore other directions his work has taken him, including his link with a company that provides visual mapping tools to support change.
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V. Newsletter Info
E-mail changes. To change your e-mail address, subscribe, or unsubscribe please e-mail connect@dianereardon.com. If you use a spam filter, please add this e-mail address to your list of approved senders. This material is included on the breakTHROUGH Creativity Coaching (website www.dianereardon.com) All material is copyrighted ©, 20 June 2007, Diane Reardon. All rights reserved. Visit the website for back issues and details on scheduling a complimentary one-hour coaching session.

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